Curly Ecstasy in the Mashed Machine
[PV] mothercoat - Curly Mash
Newest song from the indie rock band mothercoat off their first full-length album "Patchwork Shiki". The only other song that I've listened to from them was "galileo" off of the album "interphone", so I have to say I was pleasantly surprised to hear this one. It is much more of a playful and quirky indie pop song that borders on experimental/post-rock. It really reminds me of the song "STROBOLIGHTS" by SUPERCAR. The tone of the music carries through into the video as well, which is nice.
Apologies for the lateness in updating. It's been tough finding new things to post on. Plus, it's been getting kind of crazy busy with all the midterms and the upcoming finals. Ugh. Anyways, I'm sure some of you are wondering how my "ECSTACY IN THE MACHINE" show went. It went, um, swimmingly? Yeah, even though I had a paper and a presentation to do the following day, it's probably the most at ease I've felt at the Japanese concerts I've been going to. And by at ease, I mean not feeling totally awkward while desperately trying to figure out what I'm supposed to be doing.
In any case, LIQUIDROOM was nice as usual. A funny moment in the beginning was when Ahito Inazawa (the frontman of VOLA) made his way to the DJ booth to run it for a bit and, when people noticed it was him, all of girls got crazy excited and practically bum-rushed the booth. It was kind of funny to see how even Inazawa has rabid fangirls. It really seemed less of actual DJing though, and more of "Inazawa picks random songs he likes and he dances to them. If you like them, you can dance too". But, yeah, eventually, the opening band you're gold, i'm pink made their way to the stage. Can't say I really liked them at all. It was cool that the band had a bit of variety in their instruments. But, they had too much of a unrefined pop sound that ended up reminding me of a Hanson-type band that depends far too much on their looks and their soft and whiny harmonies.
After you're gold, i'm pink finished their short set, Riki Kinoshita from ART-SCHOOL had his turn on the DJ booth while VOLA set up. It was pretty much the same thing as when Inazawa ran the booth. But, I thought it was pretty awesome that Kinoshita picked both "SUNDAY" by lostage and "Coin Laundry" by OGRE YOU ASSHOLE during his DJ session. I was pretty into those two songs. Anyways, eventually, VOLA started their set. I'm not going to lie, I was a bit disappointed. I know this is going to sound bad, but I really dislike it when bands just play new songs and don't play any of the songs that they are known for. It leaves me trying to listen to the new songs and not getting into it as much. It didn't help that I wasn't really liking the way the new songs were sounding. There was way too much of Inazawa just dancing and not enough of the delicious twin guitar licks of the past. The one saving grace was that the set was started with "self-defense" moving into "An imitation's superstar". The closing of the set with "Mexico Pub" was pretty awesome too. But, seriously, no "A communication refusal desire" and no "Principle of machine" made me sad.
As I had that long paper and presentation due the following day, I decided that it would be best if I had left after VOLA. My sincere apologies to those who were interested in seeing how ART-SCHOOL was. But, anways, onto the crazy concert week that includes Base Ball Bear, lostage, and possibly even more. Yay. (Also, onto finals. Boo.)